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116 · 12 panels

The Wall That Moved

Jin and Ara are setting up to show a film about the neighborhood. Then the wall they plan to project onto rolls away.

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They came in early to check how well the audience would see the picture.
Story

Jin and Ara were going to screen a short film about the neighborhood at a small theater.

They came in early to check how well the audience would see the picture.

Jin set the projector on the low table in front of the chairs.
Jin

That gray wall should be just right for the picture.

Jin set the projector on the low table in front of the chairs.

A thin line of light showed beneath the gray surface.
Ara

Is that light coming through underneath?

A thin line of light showed beneath the gray surface.

A quiet neighborhood scene appeared faintly on the gray surface.
Jin

I’ll bring up the first shot for a second.

A quiet neighborhood scene appeared faintly on the gray surface.

From the side, Ara spotted wooden supports on the back and a small wheel.
Ara

Jin, from this side you can see a wheel.

From the side, Ara spotted wooden supports on the back and a small wheel.

The venue technician came in and pointed to the gray surface and the opening beside it.
Colleague

That’s a piece of scenery on wheels. I’m moving it to the stage next door now.

The venue technician came in and pointed to the gray surface and the opening beside it.

Behind it, a wide passage and a wall farther away came into view.
Story

Jin stopped the projection and stepped back. The technician rolled the gray wall sideways.

Behind it, a wide passage and a wall farther away came into view.

Beside the dark projector, Jin looked where the gray wall had been.
Jin

I thought it was the wall. I’d already sized the picture to fit.

Beside the dark projector, Jin looked where the gray wall had been.

Ara pointed to the low table and the open space in front of the chairs.
Ara

Is there a screen we can use for the showing here?

Ara pointed to the low table and the open space in front of the chairs.

The technician brought out a white screen and set it up with Jin in its designated spot in front of the chairs.
Colleague

Yes. You can use this screen until today’s showing is over.

The technician brought out a white screen and set it up with Jin in its designated spot in front of the chairs.

Jin put the same scene back on. Ara sat in the front row to check the edges of the picture.
Ara

From here I can see both edges of the picture clearly.

Jin put the same scene back on. Ara sat in the front row to check the edges of the picture.

Jin and Ara smiled at each other. The scenery stood to one side, and the neighborhood scene stayed on the white screen.
Jin

I’ll put it in our setup notes. For the screening, use the white screen in front of the chairs.

Jin and Ara smiled at each other. The scenery stood to one side, and the neighborhood scene stayed on the white screen.

A thought from the Talmud

Rabba bar bar Hana and his companions mistook a fish’s back, covered with sand and grass, for dry land. When the fish rolled over, the ship was close enough to save them from drowning.

The source idea in our own words · Not a direct quotation

Bava Batra 73b:5 · Read the source ↗

A lesson for today

From the front, the gray scenery looked like part of the room. Ara saw a wheel from the side, and the venue technician explained that another stage needed it soon. They could then choose equipment they would actually have for the screening. When setting up in a shared venue, we can ask whether the room will be arranged the same way when we need it.

A modern interpretation for this story

A question to take with you

What have you recently assumed would stay in place, and who could help you check?

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About the source and this adaptation

In Bava Batra 73b:5, Rabba bar bar Hana recalls mistaking the back of a fish covered in sand and grass for dry land. He and his companions went onto it to bake and cook. When its back grew hot, the fish rolled over. They escaped drowning because the ship was nearby. The adjacent accounts tell of a fish washed ashore and a voyage between another fish’s fins. The wisdom line paraphrases section 5. Jin, Ara, the theater’s rolling scenery, the screening preparations, and the dialogue are AI-assisted modern fiction about checking how something that looks fixed is actually used.

Read the source ↗

AI-generated artwork · Creative adaptation

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